{"id":6239,"date":"2024-02-05T17:15:24","date_gmt":"2024-02-05T17:15:24","guid":{"rendered":"https:\/\/celle.in2real.com\/artista\/aiko-miyawaki\/"},"modified":"2024-08-19T14:53:59","modified_gmt":"2024-08-19T14:53:59","slug":"aiko-miyawaki","status":"publish","type":"artista","link":"https:\/\/www.goricoll.it\/en\/artista\/aiko-miyawaki\/","title":{"rendered":"Aiko Miyawaki"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Aiko Miyawaki (Tokyo, 1929 \u2013 Yokohama, 2014)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Giuliano Gori discovered the work of Aiko Miyawaki during his time as an advisor to the EPAD Committee (L&#8217;\u00c9tablissement public pour l&#8217;am\u00e9nagement de la r\u00e9gion de la D\u00e9fense) for the integration of public artworks in the new Grande Arche de la D\u00e9fense area in Paris. Invited to Celle, the artist stated that she needed a vast open field to place her slender stainless steel cables directly into the ground, on discs constructed to accommodate them. These almost transparent designs float with the air currents and are part of the artist&#8217;s extensive research with the &#8220;utsurohi&#8221; series, a term in Japanese denoting a type of sea breeze and connoting the concept of change.<\/p>\n","protected":false},"featured_media":5690,"template":"","class_list":["post-6239","artista","type-artista","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.goricoll.it\/en\/wp-json\/wp\/v2\/artista\/6239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.goricoll.it\/en\/wp-json\/wp\/v2\/artista"}],"about":[{"href":"https:\/\/www.goricoll.it\/en\/wp-json\/wp\/v2\/types\/artista"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.goricoll.it\/en\/wp-json\/wp\/v2\/media\/5690"}],"wp:attachment":[{"href":"https:\/\/www.goricoll.it\/en\/wp-json\/wp\/v2\/media?parent=6239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}